Hollywood has a way of (i) reality, thereby completely altering not only past events but our perception of these events. To take but one example, after watching Milos Forman’s Oscar-Winning Picture, Amadeus, audiences smugly walk away “knowing” the Italian composer Antonio Salieri sordidly did away with the divine genius Mozart. That such a story is at best a (ii) is, to them, not even a(n) (iii).
Blank (i)
subtly hewing to
casually distorting
fundamentally transmuting
Blank (ii)
sensation
contrivance
canard
Blank (iii)
fabricated deception
implausible matter
remote possibility
