True, to the classically trained ear, Haydn’s early works can often seem (i) , a mishmash of motifs from which anything fresh has been wrung dry by subsequent composers—to the ears of Haydn’s contemporaries, however, Haydn’s music was (ii) .
Blank (i)
complex
predictable
hackneyed
Blank (ii)
refreshingly novel
prematurely antiquated
highly derivative
